The Most Iconic Details in Paris Haute Couture Fall-Winter 2009-1010 ? Part 2

The Darkest: Valentino

Various of models present the black creation from Valentino against the dark background. Their dark looks just embellish a darker tone, while that absolutely not a gloomy show. Actually, materials of these clothes are mainly of the tranparent chiffon and lace which are clear and light. Thus the whole design still features sweet and feminine. Though barely one color, the ways of design are rich. People will never consider them as simple repetition.

The Most Caprylic: Christian Lacroix

It’s no secret that the House of Lacroix is near a state of liquidation. It’s not just the current economic climate that helped brought this about, the Christian Lacroix Couture Label has struggled to become profitable for years with debts in the millions. Compared with the former luxurious collection, time time, the clothes hold strong French influences but in somewhat somber colors. See more feminine Valentino handbags.


The Less Impressive: Elie Saab

We could consider the white-tone collection that Karl Lagerfeld designed for Chanel Haute Couture last season must be the line beyond comparison. This time, Elie Saab’s continuing the white is really not a smart choice. Though some outfits were pretty feminine with flowers as an embroidery, patterns or attached details, they are never have the great impression that Chanel has.

The Simplest?Alexis Mabille

It is hard to say the Alexis Mabille Haute Couture is exclusive and fabulous. Apparently, designer Alexis Mabille aims to add young element to his design, while, actually, it makes poor effect. Since the Couture is all about high fashion, simple clothes will never get important status, even if they are perfectly cutted.

Nevertheless, the whole shows of Paris were all about pretty. With gorgeous gowns, lovely, lady-like dresses and some truly seductive looks, the eye candy went on and on.

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The Most Iconic Details in Paris Haute Couture Fall-Winter 2009-1010 – Part 1

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